Glittering
Images By CAMILLE PAGLIA Reviewed by Stefan
Beck October 25, 2012
Paglia
is writing for students, who, she feels, have been cheated out of adequate
exposure to art and art history… She has no tolerance for reductive or
anemic approaches to art history, taking aim at critical theory, Marxism, and
multiculturalism. The reader is warned of the art world's mindless reliance on
shock value and its reflexive hostility to religion. (It wouldn't be a Paglia
book without a confession of atheism followed immediately by a robust defense
of the splendors of world religion and its artistic heritage.)
The
promiscuous lifestyle articulated in the first paragraph is prevalent in large
sections of Western culture today, and in an age of globalization where
American movies and sitcoms are beamed across the world, it is gaining
acceptance in other cultures as well. People are confused – they do not
understand why religion and society has historically forbidden a fun-filled
lifestyle which doesn't seem to carry any deleterious consequences.
Ashram Trustees Rush to Chennai High Court to Stop Enquiry of
Puducherry Govt from Critique of The
Lives »
The
first reaction to these allegations from the side of the Trustees was that they
were “wild and baseless allegations”, especially the allegation of “sexual
harassment and victimisation”. A few of them even thoughtlessly
proclaimed that they didn’t know of any such incidents. When they were reminded
of the irrefutable cases involving the police and the Court, they quickly
changed their statement to, “Oh, these things happen! We should not take these
things seriously! We should not reveal these matters to the public outside,
least of all to the Govt!” Would they have said the same if they themselves had
been victims of molestation or driven to despair or death – there have been
indeed such cases not only in the past but even recently, which the Managing
Trustee has dealt in his classic style of “leave the culprit free and punish
the victim”!
Chris
Beckett’s novel Dark Eden is
not literally an adaptation, but in fact it “adapts” and rewrites a number of
foundational Western texts regarding the origins of human society and
civilization… At first they live in a tightly-bound, matriarchal, “primitive,”
and more or less egalitarian society. But in the course of the book we witness
the splintering of this society: a “fall” from a putative “state of nature”
into a more “historical” situation.
This
“fall” is the result of a number of pressures: most importantly, environmental
stress (as a result of overexploitation of limited resources), and the frequent
appearance of detrimental recessive genetic traits (cleft palate and clubfoot)
due to the restricted nature of the gene pool, combined with adolescent
restlessness, and a certain drive against tradition and in favor of innovation.
The
consequences of this “fall” include the “invention” of rape and murder, the
transition from egalitarian matriarchy to hierarchical patriarchy, a growing
tension and discordance between generations, as well as between men and women,
and an energetic burst of exploration and technological invention.
In
recounting these developments, the novel gives us an updated version of what I
would like to call speculative anthropology. Following the
classical thinkers I have already mentioned (Rousseau on the origins of inequality;
Nietzsche on the origins of morality; Bachofen and Engels on the origins of
family structures and differentiated gender roles), Chris Beckett speculates
about “primitive” society and the development of the social institutions that
today we take far too readily for granted.
Read Smith Yourself Before Alleging Others Have Not Read Him from Adam Smith's Lost Legacy by Gavin Kennedy
Smith
also specifies the “necessaries of life”, which were part of the annual produce
of the “necessaries, convenience, and amusements (luxuries) of life" (Wealth
Of Nations). By definition, human kind had managed to consume the “necessaries”
(food, primarily, but also shelter and other basic utilities) since our
ancestors were in the forests. Those necessaries were basic,
absolutely so in times of dearth. No “proud and unfeeling
landlords” shared the “luxuries” of life with the “thousands whom they
employed”, except perhaps occasional cast offs of some “conveniences” with
family favourites, but certainly no “amusements” – their wife’s luxury cloths,
trinkets, and such like.
Always Pleased to Read of Those Who Have Woken Up About the
Modern Myth of the "Invisible Hand" from Adam Smith's Lost Legacy by Gavin Kennedy
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