Collated by Tusar Nath Mohapatra
Vedic Bhavartha Rig Veda 1.5.10
मा नो॒ मर्ता॑ अ॒भि द्रु॑हन्त॒नूना॑मिन्द्र गिर्वणः । ईशा॑नो यवया व॒धम् ॥
(“Indra adorable by chants may not men harm our bodies. Sovereign that thou art, separate all destruction.” Translated by TV Kapali Sastry)
The Rishi is asking Indra to protect his body. We see this aspiration recur in later Tantra where the power of the mantra is used to create a shield of defense. Does it work? Yes, of course, it does
It is critical to stay alive and strong to accomplish one’s spiritual destiny. We see a similar aspiration in the Isha Upanishad shloka 2 where the Rishi seeks to live for a 100 years living in surrender to and by Isha
The Rishi has no personal desire and yet he asks for protection to serve dharma. There is no contradiction in this. Rather, this only confirms for us the purity of their aspiration. For the Rishi is a fighter who needs to preserve his life and body for the Yajna. We must all ensure that our mission is protected
https://x.com/AmazingVedas/status/2091019130262462942
Vedic Prosody
Let us take Rig Veda 1.4.8:
अ॒स्य पी॒त्वा श॑तक्रतो घ॒नो वृ॒त्राणा॑मभवः । प्रावो॒ वाजे॑षु वा॒जिन॑म् ॥
And compare it with RV 1.4.9
तं त्वा॒ वाजे॑षु वा॒जिनं॑ वा॒जया॑मः शतक्रतो । धना॑नामिन्द्र सा॒तये॑ ॥
What do you notice? You will see one of key features of the Shabda alankara that the Rishis loved. The last two words of RV 1.4.8 recur in the first pada of 1.4.9. We see the recurrence of two other words from RV 1.4.8. Can you spot them?
You may call it anuprasa. But it is more than that. It is the using of a prior spiritual realization to build a new one. Sri Aurobindo calls it the Echo.
We will see this play throughout the Veda. As reference, as confirmation and musical refrain and finally as a spiritual siddhi
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Sri Aurobindo, to quote from memory, created the Vedic Upanishadic mantrik sound, as far as it was possible in English (if I misquote him my apologies)
So he may have used similar techniques to create the mantrik effect too. Such recurrences happen in post-Vedic verse of course but this instance was the first example of such a technique in the Vedic Samhita and it is gorgeous and brilliant
Savitri is one of the most difficult epics not because of the themes or story, which are beautiful, but the innovations brought by Sri Aurobindo in English verse. I had tried to understand and describe them a long time ago in my book on Sri Aurobindo and the Literary Renaissance of India but I am afraid I was not able to bring out his contribution to English verse fully. Perhaps I can try once again but Savitri would need a dive as deep as we are trying here in the Veda and perhaps we should try it again with tremendous trepidation
https://x.com/AmazingVedas/status/2090991061363524029
Sri Aurobindo uses the punarukti beautifully in Bride of the Fire. Of course, he used similar chhandik mantrik effects in English and even in his Durga Suktam which was in Sanskrit
He was a great poet and I believe you are right when you bring this technique out that he used with amazing genius
https://x.com/AmazingVedas/status/2090992792549875788
What makes Bharat eternal? Subhash Kak, author of Eternal Bharat, joins @MakrandParanspe to explore the enduring principles behind Indian culture and civilization. youtu.be/wcjDuqhp4bA?si… @PariksithSingh @AmazingVedas
https://x.com/sriaurobindochr/status/2090863503645065551
Mahashakti is more than cosmic energy—it is the force of creation, consciousness, and transformation within us. Explore its profound power with @PariksithSingh & @MakrandParanspe youtu.be/s3TvABVHRr0?si… @AmazingVedas
https://x.com/sriaurobindochr/status/2090783224670908850
What does the night reveal that daylight hides? Discover Ratri, the Vedic Goddess of Night—guardian of stillness, reflection and renewal—and the deeper wisdom of darkness with @PariksithSingh @MakrandParanspe @AmazingVedas youtu.be/fPN4zKtxXoE?si…
https://x.com/sriaurobindochr/status/2090545659434955042
Bankim Used ‘Hindutva’ Before Chandranath Basu, Savarkar: Renowned Bengal Renaissance scholar Amiya Sen on the contested history of #VandeMataram, Bankim Chandra Chatterjee’s complex relationship with Hindu philosophy, Aurobindo and the evolution of #Hindutva, writes @Ullekh. openthemagazine.com/india/bankim-u…
https://x.com/Openthemag/status/2090815798503993356
But as contemporary scientists continue to shed light on how our emotions affect our susceptibility to disease, it is becoming increasingly clear that our emotional lives are equipped with a special and non-negligible kind of bodily and cognitive intelligence.
The nature of that intelligence and how we can harness its power is what Martha Nussbaum, whom I continue to consider the most compelling and effective philosopher of our time, examines in her magnificent 2001 book Upheavals of Thought: The Intelligence of Emotions (public library). Titled after Proust’s conception of the emotions as “geologic upheavals of thought,” Nussbaum’s treatise offers a lucid counterpoint to the old idea that our emotions are merely animal energies or primal impulses wholly separate from our cognition. Instead, she argues that they are a centerpiece of moral philosophy and that any substantive theory of ethics necessitates a substantive understanding of the emotions.
https://x.com/themarginalian/status/2090865919480172916
I just finished reading N.J. Allen’s Arjuna–Odysseus.
What’s GREAT about this book: the meticulous mapping of structural parallels between the Mahābhārata and Homeric epic (Arjuna/Odysseus, Draupadī/Penelope, Durgā/Athena) which advances Indo-European comparativism beyond Dumézil and makes the shared heritage feel actually historically real and concrete.
Main drawback: its density. I’m glad I have reading knowledge of Greek and Sanskrit, otherwise I think I would have been completely overwhelmed by the linguistic details.
#BookTwitter #Odyssey @routledgebooks
https://x.com/ASR_Metta/status/2091036419879804953
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