Tweets 23 Nov Sangeeta Goswami @SangeetaRG
@yrskmohan '12 years with Sri
Aurobindo' by Nirod baran and #LIfeDivine the
books always on my desk :) @Back2Vedas
Retweeted by Savitri
Era Party View
conversation
22 Nov Rajarshi @TheRajarshi Marvelous,
fiery opposition to a world-negating end of the spiritual journey. Sri
Aurobindo. Retweeted by Savitri
Era Party
23 Nov vamanan @vamanan81 What did
Sri Aurobindo think of Swami Vivekananda? http://vamanan81.wordpress.com/2010/01/12/swami-vivekananda-through-sri-aurobindo%E2%80%99s-eyes-2/ …
Retweeted by Savitri
Era Party View
photo
20 Nov ∫ubra @IntegralUnity @NirvaniBliss Vivekananda was
his spiritual guru (as he was for many) Aurobindo's writings would be v useful
from a western pov Retweeted by Savitri Era Party View
conversation
25 Nov Rajmohan Srinivas @yrskmohan
@Back2Vedas but my goes not
to Aurobindo, but to Mother. If Sri Aurobindo was theory she was a practical
demonstration. Retweeted by Savitri Era Party View
conversation
19h Gautam Chikermane @gchikermane
While on the subject, another absolute must-read: The Future Poetry by Sri
Aurobindo http://www.sriaurobindoashram.org/ashram/sriauro/downloadpdf.php?id=39 …
Retweeted by Savitri
Era Party
21 Nov Rajarshi @TheRajarshi Finally
got a framed, large photograph of Sri Aurobindo. Was looking out for one.
Veritable silence on a throne of equipoise. Retweeted by Savitri Era Party
22 Nov Rajarshi @TheRajarshi More I
read and contemplate on Sri Aurobindo's writings, more I get amazed. In my
opinion, the tallest Vedic intellect in a very long time. Retweeted
by Savitri Era Party
22 Nov Rajarshi @TheRajarshi There
are clear Tantric roots in the first impetus which drove Sri Aurobindo towards
sadhana. He wanted Shakti, to liberate India . Retweeted by Savitri Era Party
22 Nov Rajarshi @TheRajarshi It was
Sri Aurobindo who told Tilak that moderates cannot be carried along. The
revolutionaries wanted to break free, aim for full swaraj. Retweeted
by Savitri Era Party
23 Nov Kunal Dave @kunal_nd @Back2Vedas agree on dat front.
Infact if u look at history in 2nd world war it was Sri Aurobindo who gav
powers to Churchill against Hitler. Retweeted by Savitri Era Party View
conversation
21h krishnarjun @krishnarjun108 When
compared to the intellectual debates stimulated by the likes of Dayananda,
Aurobindo hindu thought output abysmal after independence Retweeted
by Savitri Era Party
20 Nov Rangesh
Sridhar @kshetragnya @visaraj that
Tilak and Aurobindo spearheaded was the first truly mass movement. and all we
hear is Gandhi Archanai (3/n) Retweeted by Savitri Era Party
26 Nov Savitri Era Party @SavitriEraParty @saliltripathi With a slight
modification of course, with Sri Aurobindo and his 1947 Five Dreams as the
pivot. @sabhlok View
conversation
26 NovSavitri Era Party @SavitriEraParty This worldliness was undermined until SriAurobindo http://selforum.blogspot.in/2012/11/this-worldliness-was-undermined-until.html … Women
embrace responsibility rather than escape http://selforum.blogspot.in/2012/11/women-embrace-their-responsibilitiesrat.html …
26 Nov Savitri Era Party @SavitriEraParty Sri Aurobindo
expounds an integral religion http://selforum.blogspot.in/2012/11/sri-aurobindo-expounds-integral-religion.html … Georges
van Vrekhem was a devoted child of The Mother http://selforum.blogspot.in/2012/11/georges-van-vrekhem-was-devoted-child.html …
24 Nov Savitri Era Party @SavitriEraParty Had Sri Aurobindo's advice been accepted on Cabinet
Mission Plan, it may have prevented bloodshed: http://selforum.blogspot.in/2012/11/had-sri-aurobindos-advice-been-accepted.html …
- http://selforum.blogspot.in/2012/11/1926-scores-over-1949.html …
20m Savitri Era Party @SavitriEraParty [Mimicry, mockery or mumukṣutva? A response to Deepak Sarma, by Jeffery D. Long - from Love of All Wisdom by Amod Lele] http://loveofallwisdom.com/2012/11/mimicry-mockery-or-mumuk%e1%b9%a3utva-a-response-to-deepak-sarma-by-jeffery-d-long/ …
So how can we know what she intended then and what
she intends now for Auroville’s material development? Ultimately, the only way
to know this for sure is to attain to the same consciousness as hers. Failing
this, however, (and I assume that most of us do fail in this) there may be
other indications. ...
In the absence of unmistakable clues like this
perhaps our wisest method, if we feel we need to ‘update’ or interpret Mother
(and, let’s face it, we are doing it all the time), is first to try to
understand the spirit or the principle behind some of her proposals. 11:36 AM Friday, March 04, 2011 8:09 AM
IPI: Events for
December: International Workshop on
Healing, Counselling & Therapy based on Principles of Indian Psychology Organised
by Centre for Indian Psychology, JGI, at Jain University Global Campus,
Bangaluru, December 13 – 15, 2012. For details see the invitation
brochure. For registration use the application
form.
'Between Then and Now': The Changing Pattern of Modern Oriya ... indianfolklore.org by S Chhotaray – 2010
Narratives of Regional Identity: Revisiting Modern Oriya Theatre from 1880-1980
Sharmila Chhotaray
Ramshankar Ray’s Kanchi Kaveri, is generally
recognized as the first modern Oriya theatre, staged in Cuttack in the year 1880… Aswini kumar Ghosh,
one of the pioneers of Oriya drama in the second decade of 20th century wrote
his first play Bhisma (1915) in blank verse… After 1939, Oriya drama moved
toward a highly commercial market. Kalicharan Pattanayak switched over from
Rasa and Lila, the traditional lyrical dramas to social plays like Girls’
School performed on Proscenium stage in his Orissa Theatres in 1939…
In sixties, a paradox was seen in Oriya Theater by
the playwright Gopal Chhotray who provided the new orientation to the poetic
plays of the popular Jatra playwrights. However, these revived myth-based and
tradition-bound plays till the end of sixties could only attract its maximum
popularity at the mass level.
The third phase is the post 1960S of Oriya theatre:
The new drama movement. The gradual decline of Annapurna
theatre paved way to the new drama era of Manoranjan Das followed by Bijay
Mishra, Biswajit Das, Byomakesh Tripathy, Jadunath Das Mohapatra, Basant
Mohapatra, Ratnakar Chaini and Ramesh Prasad Panigrahi. Theatre during this
period modern experiment such as these inspired by Brecht, Freud and Sartre.
However, the experimental and epic theaters were not found in favor (Tripathy,
1995:52)…
Manoranjan’s Bana Hansi (Wild Duck) pioneered the
new drama movement that heralded a new era and opened up a whole new vista of
new ideas. Das followed European dramatists like Ibsen, O’Neil, and Eliot’s symbolic
expressionism but Freud’s psychoanalysis was the crucial aspect of his play. If
Manoranjan showed psychological time by mingling the past, the present and the
future, Bijoy Mishra in his Shaba Bahaka Mane (The pall-bearers) spoke of the
real, actual time and in his play the time of action corresponded to
performance. Mishra’s play has been called the first absurd Oriya play.
Similarly, Biswajit Das depicts contemporary society and the living reality in
his plays like Mrugaya, (the royal Hunt). In this play he has showed how
darkness is the essence of the life and the gap between what we want and what
we get increases. He has also contributed lighting techniques to the Oriya
stage, which was underdeveloped for long. To break this absurdist tradition or combining
other traditions into this new dramatic revolution, Ramesh Panigrahi and
Ratnakar Chaini contributed new kinds of plays. Chaini made an appropriate use
of myth to contemporize the theatre experience. Both of them have been highly
influenced by Shakespeare, Shepherd etc and tried to reflect it in their play a
psychoanalytical exploration of marital crisis… For instance, the common ‘Oriya
mind’ was not prepared to accept the ‘absurd’ plays for long.
Indian
literature - Volume 38, Issues 1-3 - Page 99 - Sahitya
Akademi - 1995 - When 'Srujani' the famous theatre group of Orissa was
established in 1964, for it, he wrote plays: Banahansi, Aranya Fasala,
Amrutasya Putrah, Katha Ghoda,
Urmi, Sabdalipi, Klanta Prajapati, Bitarhita Aparahna and Nandika Keshari. Authors
speak - Saccidānandan, Sāhitya
Akādemī - 2006 - Preview - More
editions The products of this new creative consciousness include Banahansi
(1966), Aranya fasala (1970) and Katha
Ghoda (1972). In Banahansi, the failure both in love and in family
of a couple is depicted and the play ends with their intense agony of ...
NEWS
ReplyDeletehttps://twitter.com/integralyog/status/889672654118105088
2 new works of #SriAurobindo are now online https://t.co/K6eeWyMRyB
Writings in Bengali and Sanskrit
Vedic and Philological Studies